We dig into why we enjoy this film as much as we do with much attention paid to the strength of the central performance. We point to reoccurring plot elements within Franco’s work and his love of a certain visual metaphor involving boats at sea. We discuss the movie’s odd choice to rush past the possible mad scientist idea at the beginning to get to the righteous vengeance at the heart of things. We try to define what makes Soledad such a memorable screen actress even as this film refuses to even give her character a first name. Each of the murders is dissected as we try to understand what Franco might have had in mind as his story gains force, climaxing in a fascinating sequence in which the director is himself the victim. It certainly raises some questions about Jess’ sexual desires and points toward what might have been included in future unrealized projects.
Saturday, November 27, 2021
Beyond Naschy #35 - SHE KILLED IN ECSTASY (1971)
We dig into why we enjoy this film as much as we do with much attention paid to the strength of the central performance. We point to reoccurring plot elements within Franco’s work and his love of a certain visual metaphor involving boats at sea. We discuss the movie’s odd choice to rush past the possible mad scientist idea at the beginning to get to the righteous vengeance at the heart of things. We try to define what makes Soledad such a memorable screen actress even as this film refuses to even give her character a first name. Each of the murders is dissected as we try to understand what Franco might have had in mind as his story gains force, climaxing in a fascinating sequence in which the director is himself the victim. It certainly raises some questions about Jess’ sexual desires and points toward what might have been included in future unrealized projects.
Sunday, August 29, 2021
Beyond Naschy #34 - REFUGE OF FEAR (1974)
REFUGE OF FEAR (1974) has a generally bad reputation which both Troy and I feel is a shame. We were drawn to see this film because it stars the wonderful Patty Shepard who, along with Craig Hill, appeared in a couple of Paul Naschy’s films. She and Hill have he most screentime and are good in their roles with the script giving them some juicy dramatic meat to chew on. The interesting script comes under discussion even as we try to not spoil the turns things take in the final act. We both feel that the director lets the film down a bit and we dig into the possible reasons for that. And we once again find a film that is richly deserving of a quality Blu-Ray release. I think this could be considered a much better film if a good print was made available.
Sunday, July 4, 2021
Beyond Naschy #33 - THE NIGHT OF THE SORCERERS (1974)
The Naschycast returns to the films of Amando De Ossorio for
a romp through the jungle!
THE NIGHT OF THE SORCERERS (1974) a.k.a. The Night of the
Witches follows a small group of researchers seeking to document the endangered
species of a fictional country in Africa. They make camp near a (miniature) village
and then learn from a native about the supernatural history of the area. Of
course, we have been made aware of the odd rituals of ‘Bumbasa’ in a prologue
showing the kidnapping, rape and beheading of a British lady in 1910 on an
altar that seemingly transforms her into a leopard demon! Or, at least, a
fanged disembodied head that can turn and snarl at the camera! It’s a wild
ride.
Troy and I hack our way through the jungle foliage to get a good look at this strange little film. As he had done with his Blind Dead movies Ossorio is clearly trying to create a new monster of his own design. But the leopard demons offer some technical hurdles that the writer/director’s usual low budget is often unable to jump. We discuss the various forms in which we see the creatures onscreen trying to decide which of them is most effective. Since these three forms are simply leopard stock footage, fake leopard heads partially hidden by leaves and female members of the cast running in slow motion through the jungle night it can be difficult to make a conclusive choice. And Ossorio throws in enough sex and blood to keep an exploitation audience distracted from the inherent silliness of the pieces of his narrative that don’t always work. But where does this film fall in the legacy of this legendary Spanish horror filmmaker? We share our opinions and hope to hear yours.
The podcast can be reached at naschycast@gmail.com where you can send
your thoughts on this episode’s film or Amando De Ossorio’s career as a whole.
We’d love to hear from you! We end the show with a song from Nashville band Peachy - check them out on BandCamp. Thank you for listening and we’ll be back soon with
more from the Golden Age of Spanish Horror.
Saturday, April 24, 2021
Naschycast #67 - TODOS LOS GRITOS DEL SILENCIO (1975)
Friday, February 26, 2021
Naschycast #66 - SHADOWS OF BLOOD (1988)
Years ago I decided that, because I did not want to watch
SHADOWS OF BLOOD (1988), we would not cover it on the Naschycast. I could
simply see no upside to wallowing in what we knew was commonly considered the
star’s worst film. I suspected that it would be a painful and depressing experience
so I opted to avoid it and instead seek out less reviled fodder for the show. But
then a friend pointed Troy and I toward a humorous Australian podcast called Finding Desperado. In that show the hosts conduct a hunt for a lost film that eventually
finds them bemusedly watching SOB as part of their research. After listening to
the eight hilarious episodes of this podcast I realized that these two funny
men with their puzzled confusion had pointed the way toward covering this movie. So, we
decided to finally dive into what I’ll forever refer to as Naschy’s Nadir.
We dig into the genesis of this film starting with some details about the low point that Paul Naschy's career had reached by the mid-1980’s. We doubt that he would have participated in this shot on video ‘production’ if he'd had anything better as an alternative but chance often leads the dance in movie making. We discuss Lord Sidney Ling who is the writer/director responsible for this film including his bizarre history as a fabulist of the highest order. Finding Desperado relates much more detail about this strange man and his self-aggrandizing nature but we concentrate on what might have influenced the poorly thought out ‘story’ he concocted for SHADOWS OF BLOOD. We trudge through the film trying to understand what might have been intended, occasionally getting lost in the dull sameness of the events onscreen. The sloppy narrative follows two escaped lunatics as they walk (and walk) around Amsterdam murdering random people in a competition to see who can kill the most victims. It is a mostly embarrassing exercise in senseless tedium that, even with its short running time, will test the most devoted Naschy fan. I’m just glad we finally have this one behind us!
We have a couple of emails at the end of the show including
an amazing tale from listener Kurt that reads like a possible future noir film.
His brief life story is well worth knowing. If you want to add your story to
the podcast naschycast@gmail.com is
the address where we can be reached. Let us know what’s on your mind! And
thanks for listening to the show.
Finding Desperado podcast LINK
Saturday, January 16, 2021
NaschyCast #65 - Satanic Naschy with Samm!
We begin our eleventh year of the show by having a Satanic
discussion!
Author and podcaster Samm Deighan returns to dig into two specific Paul Naschy films. In both EXORCISM (1975) and INQUISITION (1977) Naschy plays a man of God working to help his flock overcome the influence of The Evil One. In one he is a paragon of virtue and in the other he is definitely not. Both films feature women placed in horrible positions by outside forces that seem to be Satanic in origin. But in each case the question of the how or even if these terrible things are happening is central to story. Are these people possessed by the Devil or is there a more human quality to the awful events depicted?
Samm, Troy and I engage in a freewheeling discussion of
these movies jumping from topic to topic as one point leads to another. The
conversation assumes that you are familiar with both films and spoilers are
certainly in the air. Religion is the main part of our talk but we also look at
the obvious class commentary layered into the scripts. We talk about the movies
that influenced these Naschy classics and how some later movies may have taken
some ideas from them for sleazier effect. We drag in everything from HIGH
PLAINS DRIFTER (1973), MALIBIMBA (1979) and ANGEL HEART (1987) as we look at
different ways of portraying the Dark One onscreen. Of course, as with any such
chat, we end up ranging off the main topic which is how we somehow end up in
nipple territory again! I’m not sure how this happens but I’m going to blame
Samm. Yeah! It’s her fault. I also make time for a short anecdote about subjecting
my unsuspecting beloved to a Jess Franco directed Fu Manchu film. Give her your
sympathy.
We end the show with an email that was sent to naschycast@gmail.com in which we are
asked to make a terrible purchasing choice. It takes us a while to decide! You
can ask similar question or tell us your favorite onscreen Satan at that same
address. Thank you for listening and we’ll be back soon.