NaschyCast #71 - INQUISITION with Marc McCloud

Marc McCloud drops by the show to discuss Naschy’s tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we’ve ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy’s directorial debut as the topic and we were happy to oblige.

Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp’ through INQUISITION.

We end the show with a short email from Kurt and if you’d like to send us your thoughts naschycast@gmail.com is the address. Thank you for listening! 

 

Beyond Naschy #28 - THE DRACULA SAGA (1973)

Leon Klimovsky directed dozens of films of all genres but will forever be remembered for his substantial contributions to Spanish Horror. In collaboration with Paul Naschy he made some of the most successful and effective monster movies to come out of Europe in the 1970's. The horror tales he made without Naschy are often overlooked with THE DRACULA SAGA (1973) being a perfect example. Graced with a literate, intelligent script and the music of Bach, Klimovsky brings all of his impressive skill to making a smart and, in the end, surprising take on classic vampire mythology. This one doesn't end the way you might think it will! 

Troy and I are clearly thrilled to be back in the Golden Age of Spanish Horror again. We marvel over the very strong cast that includes an actor who played Dracula multiple times over the years but is rarely talked about when discussing screen vampires. Working with the director again is the always wonderful Helga Liné as the matriarch of the cursed family, Maria Kosty as a young, dangerous part of the clan and Betsabé Ruiz as a local bar wench gone vamp. Add in Tony Isbert as a husband with a wandering eye and the talented Tina Sáinz in the lead role and you have a great group of actors giving this story their full attention. And how many Dracula films add the lamia myths to the mix? 

If you have any comments or suggestions we can be reached at naschycast@gmail.com or on the show's FaceBook page. Thank you for listening and we'll be back soon with another very rare Naschy film! 

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Beyond Naschy #20 - THE HOUSE THAT SCREAMED (1970)

Writer/director Narciso Ibáñez Serrador only made two feature films and in this episode we cover the first. THE HOUSE THAT SCREAMED is a carefully paced tale of sexual repression and murder in an all girls school and if that makes you think of a much more famous European genre film from a few years later you might be onto something. As we go through this film we point out some of the movies that seem to have been influenced by THE HOUSE THE SCREAMED as well as a couple of movies that might have served as influences for this under known classic. Set in France in the late 19th century it shows a depth of period detail both in the house itself and in the authoritarian culture it is commenting upon. Often seen as a proto-slasher, the film was known as LA RESIDENCIA in it's home country and under some truly bizarre titles in other places around the world.

The film is elevated by a talented cast lead by the legendary Lilli Palmer as the strict headmistress in charge of a few dozen 'troubled' girls placed in her out-of-the-way boarding school.  As these girls range in age from about age 15 to 21 you can imagine what some of the problems might be. Spanish actress Cristina (THE LIVING DEAD AT MANCHESTER MORGUE) Galbó plays the newest student enrolled and serves as our proxy as she learns about the place's dark secrets. British actress Mary (CRUCIBLE OF TERROR) Maude is Irene, the student most trusted by the headmistress to help keep the other girls in line, which she does in some often harsh ways. John Moulder-Brown plays the overprotected teenaged son of the headmistress who spies on the girls but is forbidden to associate with them. And NaschyCast favorite Victor Israel turns up as the school's all-purpose handyman who just might be the killer!

Join us as we dive deep into this one with our observations ranging from the cerebral to the silly. We certainly take great delight in the beauty and intelligence on display in the film and we don't just mean the lovely cast or exemplary acting. This is one of the finest films we have yet to cover and we hope to encourage you to seek it out.

We can be contacted at naschycast@gmail.com or over on the NaschyCast FaceBook page. Let us know what you think of this or any other Spanish horror films. Thank you for downloading and listening.

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Beyond Naschy #17 - WHO CAN KILL A CHILD? (1976)

This year marks the 40th anniversary of one of the best Spanish Horror films of the 1970's but it's also one that gets less attention than it deserves. There are several reasons that WHO CAN KILL A CHILD is less well known than other genre movies of the period - there is no overt supernatural element, there is no monster in the traditional sense and the story is unnerving no matter how you choose to view it. Director Narciso Ibáñez Serrador is best known for his two feature films but has had a much more prolific career as a creator and director for television. Interestingly, his theatrical films are considered two of the best and most influential of the Spanish Horror boom leaving fans to lament that he never made more features. I guess we just have to be glad he made the classics we have instead of wishing for more.

Beautifully shot, well acted, smartly paced and very tense WHO CAN KILL A CHILD brings much to the table for discussion. Besides the obvious central question of an adult's reaction to a dangerous child there are questions of abortion, discipline, innocence, gender politics, the human cost of war and even nods to the idea that survival is by necessity a dirty business. Moral questions crop up repeatedly in the narrative but these concepts never slow the story. Troy and I have been looking forward to talking about this one for a while and we dig in with gusto. Regular listeners will detect a slight difference in my voice as, at the time we recorded this show, I was still recovering from a nasty bladder infection. My energy had returned but not my voice so be aware that I sound a little off. Or more off than usual! 

As always, thank you for downloading and listening to the show. If you have any comments or questions please write us at naschycast@gmail.com where we'll be thrilled to hear from you. If you get the show through iTunes consider rating and reviewing us in the iTunes store. We announce at the end of the episode what film we'll be covering next and it's going to be a major surprise, I think. We are certainly broadening the scope of the podcast! 

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